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Artpoints Alaska and Yukon Tour, 2008
Anchorage, Alaska
June 3, 2008
After getting settled in our Skagway hotel, we ventured out for an easy hike to “Smuggler’s Cove”. The next day, we boarded our cruise ship, the Ryndam in the morning and got settled in our cabin. We were very, very glad to be sleeping in the same bed for four nights after the frantic pace of our tour. After lunch, we disembarked for a hike circling Lower Dewey Lake above town. |
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Smuggler's Cove, Skagway |
Rocky beach with mussell shells at Smuggler's Cove |
Field of dandelions on Lower Dewey Lake above Skagway |
The return half of the loop hike was more challenging than we expected and we barely made it back to the ship in time for the mandatory life jacket safety drill. We looked forward to a full day at sea cruising to Glacier Bay. Our day in Glacier Bay was mostly spent out on the deck of the Ryndam. It was a clear warm day. We found it difficult to comprehend the scale of what we were seeing. The booming sound of the calving glacier reached our ears about two seconds after the ice fell, so it must have been around two miles away. In the course of the day, we spotted several grizzly bears on the shore and saw whales, seals, otters and bald eagles in addition to many other waterbirds. Words cannot convey the experience of confronting nature in Alaska. I can only share our pictures and hope that you have the opportunity to see it for yourself. |
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Entering Glacier Bay, Russell Island on the right. |
Glacier Bay, the Margerie Glacier |
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A few words here about the Ryndam, our Holland America ship. We had a lovely, compact outside cabin with a large window and a very comfortable bed. We particularly enjoyed room service for breakfast. The staff is mostly Indonesian, reflecting the historic links between the Netherlands and Indonesia. The service in the main dining room was gracious and the meals were well prepared. To our relief, the portions were reasonable, not so large that we had to waste food. The ship never felt crowded, there was always plenty of room on the deck for scenery viewing or in the “Crow’s Nest” the glass observation lounge at the top of the ship. Jim needed to visit the ship’s medical facility to get a prescription and found them to be friendly and professional. All in all, it was great to live in such luxury after the rigors of our whirlwind tour of Alaska and the Yukon. Our last day on board, we participated in a 5k walk around the deck to benefit the Susan Komen Foundation's campaign to find a cure for breast cancer. |
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Insert photo "for the cure" here
Ketchikan was our only port before Vancouver and home. We had heard that the weather is usually rainy there and were relieved that it was only overcast and drizzly. The locals say that they measure rain in feet rather than inches. In Conclusion After 17 days in Alaska and the Yukon Territories, we had much to reflect on. As tourists, we had fleeting impressions of the diverse forces that operate in contemporary Alaska. We saw much reverence for the Native art and cultures of the Arctic and coastal areas, and also run-down trailer parks mostly inhabited by Native peoples. Alaskans love their land, and they must use its resources to survive. Projects like the northern oilfields and the Alyeska Pipeline bring prosperity, but forever change the pristine land, sea and wildlife. It is difficult to survive through the long, dark, frozen winters. Year-round employment is scarce, so people must scramble to make a year's income during the few months of Summer. Many Alaskans use those long winters to produce creative work. We saw carvings in ivory and wood, jewelry and other crafts produced with impressive skill and attention to detail. We also were impressed by painting, printmaking, digital media and photography that grappled with the cultural and economic contradictions of this great land. All of the Alaskans we met were fiercely proud of their state, but not always for the same reasons. Some celebrated the prospectors, outlaws and saloon women of the gold rush. Others worked in the tradition of Sydney Laurence and Thomas Hill, depicting the grandeur of the landscape. Native and non-native artists both worked with the themes and materials of traditional subsistence cultures. Hunters, fishermen and the wildlife they pursue are also common themes. Many artists produced work with traditional themes and materials that could have been done 200 years ago. Others worked in modern mediumswith contemporary artistic themes. The Alaskan lifestyle has historically focused on creativity. Before the arrival of Europeans, the native cultures used the long winter months to produce stories, art and hand crafts that are among the richest in the world,and this tradition continues today. A visit to the scores of museums, art schools and gift shops bring the visitor into contact with some of the most beautiful artwork being produced in the world today.
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Weathered totem pole. |
Contemporary Tlingit totem carver with commissioned poles at Saxman's Village. |
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Board with beaver design dated July 4, 1918 |
Contemporary totem pole with halibut design at Saxman's Village. |
Contemporary totem pole being clened outside the Totem Heritage Center. This pole was erected to commemorate all of the people who worked to establish the Center. |
This funerary pole has a cavity in the back to hold the cremated remains of an honored elder. Totem Heritage Center. |
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Creek Street, Ketchiken's former red light district. |
Local children "emerging" from the magnificent painted screen in the long house at Saxman's native Village. |
Cedar long house interior created by native craftsmen. |
Weathered totem poles from the Totem Heritage Center. |
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Alaska Art: Page 1 - Alaska Art: Page 2 - Alaska Art: Page 3 - Alaska Art: Page 4
Travel in 2007, England, Ireland and Wales - Museums and Art Studios